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Auditorium of Milan
Fellini's cinema would not possess the enchanting power it still exerts on all of us today without the scores composed for his films, first by Nino Rota and later by Nicola Piovani.
From the rousing fanfares of The White Sheik to the melancholic melodies of I Vitelloni, from the pulsating undulations of La Dolce Vita to the poignant notes of Ginger and Fred and The Voice of the Moon, it is the music that continually helps bring to life Fellini's belief that "the only true realist is the visionary".
From the rousing fanfares of The White Sheik to the melancholic melodies of I Vitelloni, from the pulsating undulations of La Dolce Vita to the poignant notes of Ginger and Fred and The Voice of the Moon, it is the music that continually helps bring to life Fellini's belief that "the only true realist is the visionary".
Music by Nino Rota
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